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Best Tamron Lens for Video (Top Pick of 2022)

Rajib Mukherjee Avatar
Rajib Mukherjee
22 September, 2022 • Updated 8 days ago
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Tamron is a top-rated third-party lens manufacturing company. They make lenses for most major lens mounts, including Nikon F mount, Canon EF, Sony FE, etc. Most of these lenses are designed with excellent build quality and come with weather sealing. They also have a fast wide aperture, a combination that sometimes even the OEM lenses fail to offer.

The most significant advantage of Tamron lenses compared to other brands is the high image quality and the low price tag. When you can get a comparable lens with similar optical performance, weather sealing, and image stabilization built-in at a price that’s less than an OEM lens, it makes ample sense to go for a third-party option.

In this discussion, we’ll look at some of the best Tamron lenses for video shooting.

Related Post: Best Sigma Lens for Video

QUICK OVERVIEW

Products Features
EDITOR’S PICK
4.7
+190
+190
Tamron SP 24-70mm f/2.8 Di VC USD G2
Tamron SP 24-70mm f/2.8 Di VC USD G2Tamron SP 24-70mm f/2.8 Di VC USD G2
  • Designed for full-frame camera systems
  • Fast maximum aperture of f/2.8 across the focal length
  • PRICE RANGE: Under $1200
  • Designed for full-frame camera systems
  • Fast maximum aperture of f/2.8 across the focal length
  • PRICE RANGE: Under $1200
Check price
at Amazon
TOP PICK
4.7
200+
200+
Tamron SP 70-200mm f/2.8 Di VC USD G2
Tamron SP 70-200mm f/2.8 Di VC USD G2Tamron SP 70-200mm f/2.8 Di VC USD G2
  • Full-frame mount
  • Maximum aperture of f/2.8 across the focal length
  • PRICE RANGE: Under $1200
  • Full-frame mount
  • Maximum aperture of f/2.8 across the focal length
  • PRICE RANGE: Under $1200
Check price
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MOST REVIEWED
4.7
200+
200+
Tamron 17-28mm f/2.8 Di III RXD
Tamron 17-28mm f/2.8 Di III RXDTamron 17-28mm f/2.8 Di III RXD
  • Mirrorless full-frame
  • The highest aperture is f/2.8
  • PRICE RANGE: Under $800
  • Mirrorless full-frame
  • The highest aperture is f/2.8
  • PRICE RANGE: Under $800
Check price
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BUDGET PICK
4.4
300+
300+
Tamron 35mm f/2.8 Di III OSD M 1:2
Tamron 35mm f/2.8 Di III OSD M 1:2Tamron 35mm f/2.8 Di III OSD M 1:2
  • A full-frame lens designed for the Sony E-mount camera system
  • Maximum aperture of f/2.8
  • PRICE RANGE: Under $200
  • A full-frame lens designed for the Sony E-mount camera system
  • Maximum aperture of f/2.8
  • PRICE RANGE: Under $200
Check price
at Amazon

DSLR Full-Frame Lenses

Tamron SP 70-200mm f/2.8 Di VC USD G2

Tamron SP 70-200mm f/2.8 Di VC USD G2

Features

  • Full-frame mount
  • Maximum aperture of f/2.8 across the focal length
  • One XLD element
  • Five LD elements
  • eBand and BBAR with Flourine coatings
  • Ultrasonic Silent Drive autofocusing
  • Dust and weather sealed
  • VC image stabilization
  • Nine-blade aperture diaphragm

The Tamron 70-200mm offers a great focal length for every kind of photography, from portrait to landscape, to sports and weddings. Regarding video shooting, the constant f/2.8 aperture ensures that the lens can capture a decent amount of light across the entire focal length.

Plus, the maximum aperture ensures that the lens can capture a shallow depth of field across the focal length.

Though the lens is only designed for full-frame camera systems, it’s also compatible with APS-C camera systems. On APS-C camera systems, the effective focal length becomes 105mm to 300mm, converting it into a telephoto lens. This diversifies the lens’s capabilities, ensuring that you can capture sports and wildlife using this lens on an APS-C camera.

The built-in vibration reduction facility of the lens is rated at up to five stops. This ensures that the lens can compensate for any hand movement while shooting handheld.

Autofocusing is powered by Tamron’s ring-type Ultrasonic Silent Drive autofocusing technology. This ensures that the lens can autofocus at the click of a button. Plus, the lens also features a full-time manual focusing override. This allows the user to manually adjust the focus by grabbing the manual focusing ring and turning it. This is a helpful feature for shooting videos with smooth focusing.

The lens features a fluorine coating that prevents the front element from becoming a dust and fingerprint magnet. This is a weather-sealed design, meaning it can withstand a bit of rainfall, dust, and other things that Mother Nature may throw at it. The overall construction of the lens is very sturdy thanks to the durable metal barrel and solid build quality.

A nine-blade aperture diaphragm ensures the lens produces a nice rounded bokeh when shooting at a wide-open aperture.

To assist easy use with a tripod, the lens comes with a removable rotating tripod collar and an Arca-type compatible foot.

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Pros
  • Fast wide aperture that’s consistent across the focal length
  • Extra-low dispersion and low dispersion elements ensure that the lens can counter color fringing and chromatic aberrations without any issues
  • eBand and BBAR coatings ensure that the lens can withstand flares and ghosting
  • Image stabilization is rated at up to five stops
Cons
  • Edges of the frame, when shot wide open, have some softness

Tamron SP 24-70mm f/2.8 Di VC USD G2

Tamron SP 24-70mm f/2.8 Di VC USD G2

Features

  • Designed for full-frame camera systems
  • Fast maximum aperture of f/2.8 across the focal length
  • Two XR elements
  • Three LD elements
  • Four aspherical elements
  • eBAND and BBAR coatings
  • Fluorine coating
  • Ultrasonic Silent Drive autofocusing technology
  • VC image stabilization
  • Rounded nine-blade aperture diaphragm

The best thing about the Tamron SP 24-70mm f/2.8 Di VC USD G2 is the focal length range. At 24-70mm, it covers the focal length to shoot everyday scenes. You can use this lens for shooting landscapes, group shots, street shots, weddings, interiors, and everything in between. The 70mm focal length can also be used to shoot portraits.

Speaking of focal length, the lens is compatible with APS-C camera systems, and the effective focal length is 38.6 – 112mm on a 35mm format equivalent.

The lens covers several standard prime focal lengths like the 35mm, the 40mm, and the 50mm. It’s like using three different primes in one lens. The maximum aperture is constant across the focal length, so you can capture a decent shallow depth of field and mimic the film look. Although it lacks the fast aperture associated with wide primes such as 35mm, or the standard primes like the 40mm and the 50mm, the optical performance is good.

The lens features Tamron’s Ultrasonic Silent Drive autofocusing mechanism. This technology is a silent yet precise autofocusing mechanism. Silent autofocusing is very useful for shooting videos because otherwise, the sound of the autofocusing mechanism makes it into the recording. The system also has a full-time manual focusing override which allows for precise focusing correction while recording.

This lens comes with five stops of image stabilization. Tamron calls it Vibration Compensation. This is handy when shooting handheld videos and photos. It’s especially useful when shooting in low light, where a camera and a lens struggle to capture a sharp image.

There are two VC modes on the lens. The first mode, Mode 1, is designed for general purposes, while Mode 2 is designed exclusively to shoot in low-light conditions.

This is a well-constructed lens and comes with weather sealing. However, it’s pertinent to mention that the lens is made predominantly out of plastic. Even though the lens does not feel cheap, it’s not as solidly constructed as some competitor lenses.

Pros
  • Extra refractive elements, low dispersion elements, three glass-molded aspherical elements, and one hybrid aspherical element ensure the lens can better counter color fringing and chromatic aberrations
  • The lens features eBand and BBAR coatings for suppressing color fringing and ghosting
Cons
  • Mostly plastic construction

Tamron SP 35mm f/1.4 Di USD

Features

  • Designed for the full-frame camera system
  • Maximum aperture of f/1.4
  • Four low dispersion elements
  • Three aspherical elements
  • BBAR-G2 coating
  • Fluorine coating
  • USD autofocusing motor
  • Electromagnetic diaphragm
  • A rounded nine-blade aperture diaphragm

The 35mm is a standard prime lens. This prime focal length is trendy, and every major lens manufacturer has at least one lens that offers this excellent focal length. The Tamron SP 35mm f/1.4 is designed for the full-frame DSLR segment. At f/1.4, it’s a blazing fast lens capable of capturing a lot of light in a short period, allowing you to exploit the fastest shutter speed that your camera can fire.

Fast wide aperture lenses can sometimes be tough to handle. The margin of error between a good, sharp image and a blurry one is very small. The depth of field when shooting at a wide-open aperture is very small. Speaking of the depth of field, the lens features an aperture diaphragm composed of nine rounded blades. This ensures that the bokeh is very smooth.

The lens features three-glass molded aspherical elements that counter distortion and spherical aberrations. The lens also features four low dispersion elements that take care of chromatic aberrations and color fringing.

The lens features high-end coatings like BBAR-G2 to ensure a greater light transmission and suppressed ghosting and flares. The lens has also been treated with a fluorine coating to ensure that the lens can repel fingerprints, dirt, and grease, which are common causes of optical issues.

Additionally, the lens features a moisture-resistant design. It can be used in inclement weather and dusty and moisture-ridden areas. As a videographer, someone who spends more time outdoors than indoors, this is an excellent lens feature to have.

A ring-type Ultrasonic autofocusing motor powers autofocusing on the lens. This system is very smooth and comes with a full-time manual focusing override. The focusing ring is mechanically coupled rather than electronically.

Tamron has added something extra to this lens – a new dynamic rolling-cam mechanism. This system allows a rapid focusing option even though the lens is hefty and has a large front diameter.

Overall this is a very sharp lens and one that can give OEM lenses and many of its competitors a run for their money.

Pros
  • The excellent aperture of f/1.4 captures a lot of light
  • Superior chromatic aberrations and color fringing control
  • Excellent image quality
Cons
  • No optical image stabilization
  • It is a hefty lens for 35mm

Tamron 70-210mm f/4 Di VC USD

Features

  • Designed for full-frame camera systems
  • Compatible with APS-C camera systems as well
  • The effective focal length of 112-336mm on a 35mm format when mounted on an APS-C camera
  • Constant f/4 aperture across the focal length
  • Four stops of image stabilization
  • Tamron’s USD technology driven autofocusing
  • Fluorine coating
  • Internal zoom
  • Internal focus
  • Weather sealed

The Tamron 70-210mm f/4 Di VC USB is an inexpensive lens for full-frame camera systems. The lens covers some essential portrait photography focal lengths, including 85mm, 105mm, and 135mm. This is a medium telephoto lens with a focal length that reaches 210mm. The maximum aperture of f/4 stays constant across the focal length.

The lens can also be mounted on APS-C camera systems with an effective focal length of 112-336mm (1.6x Canon EF-S mount).

At f/4, the lens is capable of producing some attractive bokeh. This lens can isolate a subject from the background and foreground. It’s also suitable for capturing shallow depth of field shots to produce cinematic results.

The lens features vibration compensation. Tamron rates the vibration compensation to be four stops. The lens can be handheld at slower shutter speeds for steady results. This also comes in handy when shooting videos.

Even though this is one of the cheapest lenses on this list, Tamron does offer several useful features with this lens. For example, this is a reasonably solid-built lens and the lens is weather sealed. Additionally, the lens has been given a fluorine coating to ensure that it does not get affected by grease stains, fingerprints, and moisture. It’s also very easy to clean the lens due to this feature

Autofocusing is powered by Tamron’s USD silent drive motor mechanism. This ensures that the lens is quiet when autofocusing is engaged. The internal zoom and focusing mechanism provide that the barrel length of the lens does not change when the lens is zooming or acquiring focus.

The lens is acceptably sharp and wide open in terms of optical performance. If you stop down the lens to f/5.6 or even f/8, performance tends to get slightly better. Distortion is present, even if it’s down to a minimum. This is specifically evident when you’re shooting at the shorter focal lengths rather than when you’re shooting at the tele-end of the range. But this isn’t a dealbreaker for most users, and far as I am concerned, this can be easily corrected in post.

Pros
  • Weather sealing makes this lens usable in a host of situations
  • One of the most inexpensive lenses on this list
Cons
  • A little bit of distortion
  • Vignetting is present

Tamron SP 15-30mm f/2.8 Di VC USD G2

Features

  • Designed for the full-frame camera systems
  • Fast f/2.8 aperture constant across the focal length
  • Three LD elements
  • Three aspherical elements
  • AX, eBAND, BBAR coatings
  • Fluorine coating
  • USD autofocusing mechanism
  • VC image stabilization
  • Moisture-resistant construction
  • Rounded 9-blade aperture diaphragm

This versatile piece of lens covers a vital focal length range from 15mm to 30mm. This is an excellent focal length for shooting landscapes, cityscapes, group shots, weddings, interiors, street photos, etc. You could also shoot some environmental portraits. If you keep the subject towards the middle of the frame, you can avoid distortion effects on facial features. You can. however, not shoot architecture with this lens nor anything else that requires a long focal length – this includes wildlife, birding, and sports.

Although designed for full-frame camera systems, you can also mount the lens on crop cameras and take advantage of the crop factor. On a 35mm format equivalent, the effective focal length becomes 22.5-45mm (1.5x Nikon F-mount DX format).

Three low dispersion elements ensure that the lens can counter the effects of color fringing and chromatic aberrations. The two glass molded aspherical elements and the single expanded glass-molded aspherical element ensure that the lens can reduce spherical aberrations and distortions. This improves the optical sharpness of the lens.

The lens features AX, eBAND, and BBAR coatings to ensure that lens flare and ghosting are eliminated when shooting in difficult lighting situations. This also improves the lens’s color accuracy and overall contrast.

The lens features vibration compensation rated up to 4.5 stops. This is extremely useful when shooting handheld. Even though a wide-angle lens is much easier to handle in low light situations, vibration compensation significantly boosts the lens’s performance.

Autofocusing on the lens is powered by Tamron’s USD motor. This is a silent and accurate autofocusing motor and works very well for shooting videos. The lens also has a manual focusing override. You can turn the manual focusing ring when autofocusing is engaged and fine-tune focusing to your requirement.

This is a moisture-resistant design and can hold its own in inclement weather. The lens’s front element also comes with a fluorine coating that ensures the front elements aren’t susceptible to moisture, fingerprints, grease, and dirt.

Pros
  • A wide-angle zoom lens featuring 15mm to 30mm
  • A fast f/2.8 aperture can collect a lot of light across any lighting scenario
  • Covers the everyday shooting focal length
  • Features weather sealing
Cons
  • The corners are slightly soft when shooting wide open

Tamron SP 45mm f/1.8 Di VC USD

Features

  • Full-frame mount
  • Maximum aperture f/1.8
  • One LD element
  • Two aspherical elements
  • Fluorine coating on the front element
  • eBand BBAR coating
  • USD autofocusing motor
  • Vibration compensation
  • Full-time manual focusing override
  • Moisture resistant construction

The Tamron SP 45mm f/1.8 Di VC USD is one of the better-constructed primes from the Tamron stable in recent years. Just like the Tamron SP 35mm f/1.4 Di USD discussed above, this is one of the best prime lenses in the business and a legitimate alternative to some of the OEM primes out there.

The 45mm is a weird focal length, between 35mm and 50mm, but the focal length offers an angle of view close to what the human eye provides.

The lens’s construction consists of eBand and BBAR coatings that ensure that the lens can withstand the effects of flares and ghosting, improving color rendition and contrast.

Autofocusing on the lens is powered by Tamron’s ultrasonic drive powered autofocusing. This ensures that the lens is super quiet when autofocusing, which is very useful when shooting videos.

The manual focusing ring on the lens is very smooth and the ring travels about 180 degrees for precise manual focusing. Although this isn’t a macro lens, you can focus very close distances. Unfortunately, there are no markings on the lens that indicate the hyperfocal distance.

The lens has some of the best image stabilization in the business. This vibration compensation is useful when shooting handheld and comes in handy in low light conditions. Even in the case of shooting videos, this is useful because it helps steady the footage that’s hand-captured.

Tamron has been providing weather sealing in a broad spectrum of its lenses, including this lens. Weather sealing extends the usability of the lens in inclement weather, where lenses without weather sealing will struggle. Additionally, many camera users using weather camera systems prefer to have a lens that’s also weather sealed. In that sense, the SP 45mm f/1.8 Di VC USD is a good choice. The lens has several weather seals, including a rear gasket and seals at appropriate points to ensure that the lens can withstand any issues with rain and dust.

The lens’s front element also comes with a fluorine coating that prevents the lens from retaining fingerprints, grease, moisture, and dirt. With the fluorine coating, cleaning the lens is also very easy.

Pros
  • Moisture-resistant construction
  • Ultrasonic drive-powered autofocusing with a full-time manual focusing override
Cons
  • Heavier than some of the competition lenses
  • 45mm is an unusual focal length and takes some time to get used to

DSLR APS-C Lenses

Tamron 10-24mm f/3.5-4.5 Di II VC HLD

Features

  • Designed for the APS-C camera system
  • The maximum aperture ranges between f/3.5 – 4.5
  • Effective focal length becomes 16 – 38.4mm (on a 35mm format equivalent)
  • Aspherical and hybrid aspherical elements
  • One XLD element
  • BBAR coating
  • Fluorine coating
  • HLD Autofocusing motor
  • VC image stabilization
  • Excellent weather sealing
  • Seven blade aperture diaphragms

The 10-24mm is a versatile focal length. Although when mounted on an APS-C camera, the effective focal length drops to 16-38.4mm. That makes it a wide angle and standard zoom lens. This lens is suitable for capturing excellent landscape shots, group shots, cityscapes, interiors, weddings, and events.

Wide-angle image stabilized lenses are very few and far between. Even premium quality APS-C lenses are rare, a reason this particular lens has garnered so much attention.

The 10-24mm comes with image stabilization, ensuring that the lens can capture stable shots even when you hand-hold the camera. This is useful for shooting videos.

Tamron has come up with a new autofocusing motor for this lens. This is the High/Low Torque Modulated Drive Motor. This hybrid system is very similar to some manufacturers’ Stepping Motor autofocusing systems. When shooting stills, the high torque engages, ensuring a faster autofocus lock. When recording videos, on the other hand, the system employs the quieter autofocusing mechanism, which is smoother and more silent.

This way, the system combines the best of both the faster (and jittery) USB autofocusing mechanism and the STM (stepping motor) autofocusing mechanism.

 Additionally, the lens has a full-time manual focusing override. This ensures you can grab the lens when you need to and turn the manual focusing ring to precisely adjust focus.

Focusing is internal, ensuring that the lens’s barrel length does not change when the lens focuses.

The lens features Tamron’s Vibration Compensation feature. Tamron states that VC compensates for up to 4 stops of image shake. For a wide-angle lens such as this, you could shoot at a shutter speed of 1/16 or 1/40 sec and still be able to shoot without needing image stabilization. But image stabilization gives you the option to shoot at an even slower shutter speed.

In terms of optical performance, the lens shows some longitudinal chromatic aberrations. This sort of chromatic aberration does not go away quickly; even stepping down the lens will not eliminate this.

Pros
  • The lens has solid weather sealing
Cons
  • The maximum aperture drops down to f/4.5 when you zoom in

Tamron SP 60mm f/2 Di II 1:1 Macro

Features

  • 60mm focal length and effective focal length of 90mm on 35mm format equivalent
  • Maximum aperture of f/2
  • 1:1 maximum magnification ratio
  • Two low dispersion elements
  • BBAR coating
  • Internal focusing
  • Manual focusing override
  • Seven-blade aperture diaphragm
  • Minimum focusing distance of 9.1-inch

This is a macro lens designed for the APS-C camera systems. This is an actual macro lens with a maximum magnification of 1:1 and a minimum focusing distance of 9.1 inches. The lens’s effective focal length when mounted on an APS-C system camera is 90mm, while the maximum aperture is f/2. This is bright enough to capture a lot of light in most cases.

This is a versatile lens because it serves as a standard medium telephoto lens with an ideal focal length of 90mm. The focal length is perfect for shooting portrait-length shoots. Then again, this is a macro lens, and therefore it also serves the purposes for which you buy a macro lens.

This is a sharp lens to start with. Very few Tamron lenses are so sharp, so it’s an excellent piece of optics to work with. Wide open at f/2, the lens is quite clear, but stopping down the lens to f/2.8 improves both central and corner sharpness.

The lens does not reflect many issues of chromatic aberrations and color fringing – at least when you stop down the lens to f/2.8 and beyond. Wide open, a touch of color fringing and chromatic aberrations are present.

Vignetting is also present, but that’s limited to only f/2. Once you drop down, the aperture vignetting goes away, and barrel distortion is very well controlled.

Autofocusing is reasonably good. I have noticed some noise when the lens switches focus from the closest focusing distance to the farthest. I have also seen that focusing can be a tag slower, especially when switching between farthest to nearest and vice-versa distances. Over the shortest focusing distances, the lens locks focus very fast.

The lens comes with a manual focusing override feature. You can turn the manual focusing ring whenever you want to control focusing and manually adjust it. You can, however, disable and enable the autofocusing motor, and that switch is provided on the lens barrel.

The build quality of the lens is okay. The lens has many plastic elements to keep the overall price down. The lens weighs a reasonable 390 grams; this is one of the lighter lenses on this list.

Pros
  • Actual macro lens with a maximum magnification ratio of 1:1
  • Internal focusing elements barrel length remains the same
  • Fulltime manual focusing override
  • The maximum aperture is f/2
Cons
  • A little bit of corner vignetting is present at f/2
  • Some color fringing is present when the lens is used at f/2
  • Autofocusing is noisy, especially when shifting focus from very close to very far and vice-versa

Mirrorless Camera Lenses

Tamron 17-28mm f/2.8 Di III RXD

Features

  • Mirrorless full-frame
  • The highest aperture is f/2.8
  • XLD and LD elements
  • RXD stepping motor autofocusing mechanism
  • BBAR and fluorine coating
  • Rounded 9-blade aperture diaphragm
  • Moisture-resistant design

This wide-angle zoom lens is designed for Sony’s E-mount full-frame camera systems. Tamron’s third-party alternatives have been garnering a lot of good press and a lot of public attention because of the thoughtful nature of the designs, the focal length, and the overall package offered by the lenses. Many of these lenses aim at the slot left vacant by the OEM. The Tamron 17-28mm f/2.8 Di III RXD is one such lens.

The Tamron 17-28mm f/2.8 Di III RXD is a complement to the very versatile Tamron 28-75mm f/2.8 Di III VXD G2.

The Tamron 28-75mm f/2.8 Di III VXD G2 competes with the popular Sony 16-35mm f/2.8 GM and, in comparison, has a longer reach at the tele-end, but the 16-35mm has a wider angle.

This is one of the Tamron lenses with the Rapid eXtra-silent stepping drive motor technology. The system is very quick and near silent when engaged and locking focus. Aufitofucisng when shooting videos is very easy and accurate.

The only thing missing is that there is no AF to MF switch.

For someone who shoots landscapes or cityscapes and group shots, the 28mm is a slightly longer focal length. The 16-35mm offers a better focal length for these purposes, but the single lens is still very versatile. You can take a few steps back to compensate for the lack of a wide angle of view.

Let’s take a look at the build quality of the lens. The lens is a partially plastic construction. Despite this, the lens feels very solid in the hands and weighs 420 grams.

The lens has weather sealing built-in, allowing it to be used in inclement weather. The rear side has a gasket for sealing along with the internal seals at seven other points, ensuring that the lens can function without moisture and dust reaching the elements.

A fluorine coating has been used on the lens to ensure that the front element is unsusceptible to fingerprints, grease, and moisture. Because of the fluorine coating, cleaning is quite an easy process.

Pros
  • Designed for full-frame Sony E mount camera systems
  • Weather-resistant construction
  • Excellent suppression of chromatic aberrations and color fringing
Cons
  • No manual switch to transition from AF to MF and vice-versa

Tamron 35mm f/2.8 Di III OSD M 1:2

Features

  • A full-frame lens designed for the Sony E-mount camera system
  • Maximum aperture of f/2.8
  • One low dispersion element
  • One aspherical element
  • BBAR coating
  • OSD stepping motor design
  • Water-resistant design
  • 1:2 maximum magnification
  • Fluorine coating
  • Rounded seven-blade aperture diaphragm

This is a solid piece of optics designed for the Sony E mount and used on full-frame Sony camera systems. However, the lens can also be used on crop Sony cameras with a 35mm format equivalent focal length of 52.5mm.

If you’re shopping for this lens, you ought to know that this lens does not have image stabilization built-in. Tamron does not make its Sony FE mount compatible lenses image stabilized because Sony has its body-based image stabilization system.

This allows the lenses to be lighter and also more compact. Tamron engineers can focus on the optical superiority of the lenses rather than image stabilization and other aspects.

One of the significant advantages of this third-party lens, compared to the other lenses, is that this lens comes with weather sealing. In contrast, many different third-party lenses don’t have weather sealing features. This makes it useful, especially when shooting outdoors.

Along with weather sealing, the lens also features a fluorine coating that ensures the lens is functional in any weather. The lens is unaffected by moisture, grease, and fingerprints, making it easy to clean.

Also, with the 0.5x magnification (1:2), you can shoot nearly macro photos and videos, which is impossible with some of the other 35mm lenses available for the Sony FE mount.

Pros
  • This is an excellent water-resistant design
  • One of the more reasonably priced 35mm lenses for the Sony FE mount
Cons
  • No image stabilization built-in
Rajib Mukherjee Avatar
Written by
Rajib Mukherjee
Rajib is an avid travel photographer and an overall shutterbug. The first time he ever clicked an image was with an Agfa Click IV back in 1984. A medium format film camera. From that auspicious introduction to photography, he has remained hooked to this art form. He loves to test and review new photography gear. Rajib travels quite a lot, loves driving on Indian roads, playing fetch with his Labrador retriever, and loves photography. And yes, he still proudly owns that Agfa Click IV!